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Simple Machines

by Stef on a Clear Day

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    Hand-stamped in a 2 Panel Jacket on SP Blanks from Stumptown Printers (Portland, Oregon). Original artwork by Stefanie Brendler. Includes liner notes + lyrics.

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1.
We were in North Carolina, ain't no tellin' just for how long But the road we wore upon our backs and the horizon. I never knew of Bloomington, ain't never seen it for myself but the kids, they tell me stories of traveling to new lands. With this pen in my hands, I'm traveling to new lands. Well, I don't know if I believe in God, but I do believe that we're all worthy but my dear Albuquerque, it's as though I don't exist. Had better luck further north, charmed by a bookstore in Santa Fe it's these things our songs our made of, it's the story in my hands. With this story in my hands, I'm traveling to new lands. With this song in my head, I'm traveling to new lands. One day, a ways ago, you settled down, you settled down. Watch out, tide's out.
2.
Oh Quilcene 03:08
I've got huckleberries to my east and salmon berries to my west I've got salmon berries to my west and huckleberries to my east Oh Quilcene, you hardly know me. Meet me at the lighthouse and the cottage by the sea. You said, “I'll meet you at the lighthouse and the cottage by the sea.” Oh Quilcene
3.
Kinesthetic 02:42
Everything is waking up/sensitive to vibration... She said I'm kinesthetic, it's how I keep myself alive. She said I'm kinesthetic, when the earth breathes, I breathe. He said it's only physics: it's sound waves, it's plucked strings, it's vibration it's only physics; it's ancient civilizations discovering the same thing Tell me a story of astrology and the harmonic overtone series Don't push it – don't push myself too hard There was an earthquake a ways away
4.
Dear Math 01:55
Dear Math, dear science, I can see the way you treat my heart you're trying not to fall apart, too. And to the best scientist, oh please read between the lines, I've tried all that I can try but my heart is not an equation. I'll let you try to crack the code, to decipher what I do not know – and so it goes. To my dear astronaut, tell me more about this gravity – you see, I can't keep my feet tethered for one day I may fly away, I'll drift until I find my way – I need some help keeping both feet on the ground. But if you give me your calloused hand, I'll give you my tender heart. And so it goes. My heart is but a simple machine, it keeps the pulse, it keeps the beat. This song is but a simple machine, it keeps the pulse, it keeps the beat of my heart.
5.
Flight 02:31
That moment of hovering, when the branches break and gravity no longer exists... When, suspended in air, weightless, anything is possible. Before gravity returns, before physics and laws of nature, before... That moment before gravity is flight In this machine, I'm on autopilot, I am going going going and when I say ready, it means we count down to zero, and then we bolt. 'Cause when you say “ready ready ready” and I say “lista,” and you say “jump” and I say “how high?” And I'm flying flying flying, flying through the air, I'm flying down the hill, I'm on my bike – and nothing can stop me now, I'm adrenaline, no fight, just flight. I am Robin Williams, I am Peter Pan – no stars in sight, just flight. In this machine, which might be an earthship, which might be a whale, or thunder and lightning, I am running running running into your arms – into your song is a place where I can go where we play make-believe, where we can feel the feels, where you can build me a dream or write me a song and your warmth plays harmonies, the last of your sunbeams, the contours of this earth and my body that holds me up. And it rained so hard, and we played 'til dawn, and I measure your loss because you're gone gone gone. And even though you're gone, even though you're gone, though you're gone there will always be a need for song.
6.
She asked, “what are you so excited about and how do you play that squeeze-box so well?” Sometimes it's time to put the pen down, so I said: You could call it a break-up that winter I ran away You could call it a break-up: four months doing time in my own mind. I wrote you a letter, postage-paid Transported through the desert and extreme heat. I sent you a letter, my words were set ablaze; I sent you a letter from another dimension. Been torn apart my whole life. I have not trusted my heart and often failed to open it So keep breaking your heart until it opens. Maybe I don't believe in astrology, but I believe in you and me I like how we play make-believe. You could call it a break-up that winter I ran away You could call it a break-up: four months doing time in my own mind.
7.
On this Day 02:04
On this day, your eyes a quick glance my way On this day, “hold my hand,” you say “Missing you,” he says, I blush and turn away On this day, “hold my hand,” you say
8.
Can I make you love me in 20 seconds? I could be swimming naked with the whales, my feet below the arctic edge, no time to stop breathing, but it's time to stop breathing This is no slow and steady courtship I could be swimming naked with the whales, your soft flesh against my edge, your breath in my ear You said you like it glacial If it's gray just one more day... I can't make you love me I wish you well.
9.
Darling nightshade, where do you grow? In the garden, in the back row. Gently, sweetly, sing to me as darkness falls upon your leaves.
10.
Summer Camp 02:45
I remember in the back seat of the van at summer camp crammed against each other, bodies intertwined, I remember night time in July. On the A.T. in the Pennsylvania mountains, how could I know it would be so cold? I'd sneak over to the boys, we'd sleep in a big pile I wonder if they knew the whole time what took me years to identify that when we woke up in the morning to the sun, to the mountains, to whatever we'd find between the hours of dark and light, between sleep and life, it would be all right. My best friend, he had a crush on me – I couldn't see. When I wake up, will you still be lying next to me? It's been years and years, I'm not sure you care but I can still read your face, you may never understand that sometimes still, I want to cry in your arms when I think of you, how I really loved you. I'll always have a place in my heart for you, after dark, when we're not sleeping anyways.
11.
Hyberdating 03:13
Your postcard condones what I recommend: that we keep in touch because I am your friend and the telephone rings once in a while, I can't help but smile when I hear your voice sing to me of all the things we haven't said yet, we've been waiting for just this time to breathe – together, your voice and mine holding hands on the telephone line. Short visits from you, few and further between; I call, you don't answer: you're always so busy. And where's the line between being a good friend and never wanting to see you again? 'Cause when we do talk I can tell you're not always listening. And I should have known you don't play by the rules, 'cause otherwise I'd have tried to shoot the moon. So just 'cause you've got a new sweetie, don't forget about me.
12.
Family Tree 03:40
She offered to buy me a sun dress. No thanks, i'll wear a tie instead. I'll admit, I talk shit i'm your grandkid don't forget I am (and i'm not) a beautiful and unique snowflake what's mine is hers and hers is mine this gender, it was assigned just like our mother's but you'd wished for another. So granddad, please, tell me this: have you always been a misogynist? Were you a jerk before the war? Can you tell me what you were fighting for? Was it for the boys? The boys, the boys, it was – for the boys. And Grandma says she cooks and she cleans and she smiles when you're mean and this is how to make 60 years last. She said it without a flinch: this is how to make 60 years last. So, to my elders, aunts and uncles, my sister and cousins: this iron that runs in our veins toxicity in the branches of this tree this iron inside of you and me it does not have to stop our hearts to remind us that we bleed. Iron in my veins, where do you think you are going?
13.
Nigun 02:42
I said to the cantor, “I can't hold a tune, I won't sing for you. Stop asking, don't make me this choice wasn't mine.” yai dai dai dai dai... From a song it all started a wordless melody older than language older than time I breathe through the length of this horn, it's true through my bellows I sing this song for you how many languages have a word for “nigun”? yai dai dai dai dai... You fought me before and you fought me today you said, “We can't pay you but please come play.” The way we see is not eye-to-eye, but it's in your blood and it's also in mine and it's no surprise that musicians need paychecks, too. yai dai dai dai dai... I breathe through my horn, it's true and play these songs for you and so I sing you a nigun.
14.
I have a story to tell of Mima & Pipa of inherited debt of the business he said, “on a scale of 1-10, a one won't land you in jail” I asked, was it illegal, or was it mismanagement? The year daddy didn't take a cut at payroll time he said, “this is when you learn who your real friends are” I have a story to tell of bankruptcy but we get to keep the house So, we start again.

about

Simple Machines is the newest album by sound artist and storyteller Stef on a Clear Day. Using her voice, a loop pedal, and an accordion, she layers sounds upon sound to create new landscapes for your ear: songscapes.

Simple Machines explores the intersections of hard science and intangible emotion; that there is an explanation for everything, whether based in scientific method or the stories we create. This album embraces the value of both science and storytelling, presenting the false binary that has been artificially constructed to keep these seemingly opposing ideologies separate. Because science does not have an explanation for everything just yet, and sometimes the supernatural can actually have a scientific foundation.

credits

released January 8, 2016

All songs, music, and lyrics
by Stefanie Brendler except:

Keep breaking your heart until it opens
by Rumi

What is the metronome if it is not our heart?
uttered by Gary Luke during rehearsal
with the Bucharest Drinking Team

“Oh Quilcene,” “With the Whales,”
and “So we Start Again”
re-recorded for this album
previously recorded in 2010 for
the album Mountains and Valleys

Cover art by Stefanie Brendler
Scanning/editing by EJ Landsman

Computer/web by Hannah Holtgeerts

Recorded and mixed
by Andrew Wheatley
in The Aviary during the second half of 2015

Additional thanks to
Marc, Opal, Johnny, & Coach

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Stef on a Clear Day Seattle, Washington

Stef on a Clear Day sings the intimacy of deep secrets and brings fading memories to life through storytelling, live-looping, electro-acoustic songscapes, micro-ballads, and poetic pleas.

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